"It seems safe to suppose that
Clement Greenberg, that most forgiving of critics, would not find
much to approve of in contemporary art, given how the diverse
tendencies, huddled under the umbrella of postmodernism tend to
fly uniformly in the face of all he championed as paramount in
progressive modern painting. Yet Greenberg would probably be heartened
by the audacity of Missy Lipsett, the title of whose third New
York solo show announces itself like a bold banner boiling down
everything that Greenberg propagated to a single, profoundly meaningful
word in regard to the art of painting: 'Plasticity' "
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